2009 English
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The Seven Cities Rebellion is over, Sha'ik is dead, but a last rebel force remains, holed up in the city of Y'Ghatan under the fanatical command of Leoman of the Flails. The prospect of laying siege to this ancient fortress makes the battle-weary Malaz 14th Army uneasy - for it was here that the Empire's greatest champion Dassem Ultor was slain and a tide of Malazan blood spilled... But agents of a far greater conflict have made their opening moves. The Crippled God has been granted a place in the pantheon, a schism threatens, sides must be chosen but whatever each god decides, the rules have changed - and the first blood spilled will be in the mortal world: a world in which a host of characters, familiar and new, search for a fate that they might fashion by their own will. If only the gods would leave them alone. But gods are disinclined to be kind. There shall be war, war in the heavens. And the prize? Nothing less than existence itself...
The weighty and grim sixth installment of Erikson's Malazan Book of the Fallen (chronologically following 2006's House of Chains, with references to 2007 tie-in Midnight Tides) is named for a newly minted company in the Malazan 14th Army, forged in a daring and nearly fatal effort to escape a city destroyed by fire by burrowing through its skeletal underbelly. The Bonehunters' return from the dead is a theme that appears throughout this volume, as the prophetess Sha'ik dies and is reborn as a plague maiden, warriors recover from hideous wounds, and seer Ganoes Paran strikes a bargain with the dread god Hood that just might end up saving the world. Erikson brings the bulk of his enormous cast together in one volume for the first time, an effort designed to keep fans engaged as myriad plot lines tangle and sprawl over an increasingly bleak and war-ravaged landscape. (Sept.)
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The fourth Malazan Book of the Fallen is aptly titled. The Malazan 14th Army warily combs the ruins of the Seven Cities Rebellion for what may be left of its dead, meanwhile straining what's left of its morale. The Crippled God has joined the pantheon, and at least half his numerous fellow deities are trying to expel him. A war of the gods impends, and while it will cost the usual high price in collateral damage among humans, Erikson will handle it with originality and strong impact, given that even the sympathetic characters are becoming people you wouldn't want holding your IOUs. Green, Roland